On 19 September 2018 I was on RNZ’s Nine to Noon programme reviewing Stardust and Substance, VUP’s anthology about the 2017 General Election. You can listen here.
On 14 December 2018 I was on RNZ’s Nine to Noon programme reviewing These Two Hands, a memoir by New Zealand author and playwright Renee. You can listen here.
This review was first published on The Spinoff on 17 December 2018.
New York. Late 2000. Our narrator is 27. She is thin, pretty, tall, blond. White. She works at a Chelsea art gallery, her first job after graduating from Columbia (art history major), though working is optional – she could live entirely off the inheritance from her dead parents, if she chose. That inheritance pays for her Upper East Side apartment and whatever she wants, which is sometimes designer clothes, but mostly second-hand video tapes of Whoopi Goldberg movies. She tries hard not to call her douchebag ex-boyfriend, Trevor, but often fails.
On 26 March 2018 I was on RNZ’s Nine to Noon programme reviewing Brave by Rose McGowan. You can listen here.
This review was first published in Landfall Review Online on 1 March 2018.
Elspeth Sandys has had many names. Born Frances Hilton James in 1948, she became Elspeth Sandilands Somerville on the occasion of her adoption into the prominent Dunedin Somerville clan at the age of nine months. The circumstances of her birth and adoption, and their impact on her childhood, were the subject of the first volume of her memoir, What Lies Beneath, published in 2014.
The second volume, Casting Off, starts with another name change. With her first marriage in late 1960, Elspeth inexplicably took on not only her husband’s surname, but a new first name as well – Susan. ‘Till recently,’ she writes, ‘I believed this new Christian name was given to me by my young sisters-in-law, Elspeth being too much of a mouthful, but they have assured me they had nothing to do with it. So the question of who bestowed the name on me, and why, remains unanswered. As does the question of why I agreed to it …’
On 19 February 2018 I was on RNZ’s Nine to Noon programme reviewing This I Would Kill For by Anne Buist, the third in her ‘Natalie King, Forensic Psychiatrist’ series. You can listen here.
On 31 October 2017 I was on RNZ’s Nine to Noon programme reviewing the first volume of Philip Pullman’s new trilogy following up the His Dark Materials series, La Belle Sauvage. You can listen here.
This review was first published on The Spinoff on 7 September 2017.
There’s something about the Wairarapa. Big skies. Beautiful old villas. Close-knit communities, with a pointy edge of small town meanness. There’s also something about the dying days of 1999, that strange, tense moment before we ticked over into the 21st century, when just for a moment it felt like the world might end.
Perfect time and place to set a gothic novel. So we’re on a country road just outside of Masterton, in the rain, a few weeks before the end of 1999 when Wellington writer Kirsten McDougall opens Tess, her second book. Tess is 19, on the run from something, living out of a pack, not eating much and about to fall drastically ill. Lewis Rose, the local dentist, picks her up and gives her a ride into town, where she gets hassled by some errant youths on the street. Lewis intervenes and takes her home to one of those beautiful villas under the big sky. Beautiful, yes, but dusty and disheveled and the garden has run wild. There’s something not right about the garage.
On 18 August 2017 I was on RNZ’s Nine to Noon programme reviewing The Book of Emma Reyes, a memoir in correspondence by Colombian painter Emma Reyes, translated by Daniel Alarcon. You can listen here.
This review first appeared on The Spinoff on 11 July 2017.
Last week’s “Break the Silence” series by Olivia Carville in the New Zealand Herald was intended to start a national conversation about youth suicide. Are we not already having that conversation? From my own high school days, some 20 years ago, I remember much handwringing and hyper-vigilance about peers who were at risk of self-harm; we all talked about it then. These days we have 13 Reasons Why, (everyone’s talking about that) and news media are slowly but surely breaking down the legal wall that prevents them reporting in detail about suicide. Yet suicide is still, according to the blurb on the back of Sarah Quigley’s new novel, the “last taboo”, and in The Suicide Club she is the latest to enter the conversation.