On 7 March 2018 I was a panelist on RNZ’s daily opinion show The Panel, along with Scott Campbell and guest host Megan Whelan. We discussed Trump, North Korea, Auckland’s health system, luck versus talent, debauchery and the law, and more. I used the Panel Says segment to give a shout-out to my local libraries. You can listen to the full show or selected excerpts here.
This interview was first published on The Spinoff on 9 May 2017.
Chris Kraus’s first novel I Love Dick received a lukewarm reception when it was released in 1997, but has attracted a cult following and been hailed as a feminist classic since its re-release in 2006. As much an art project as a novel (in which every reader participates – try reading it on the train) it consists of love letters written by a character named Chris Kraus and her husband Sylvere Lotringer to a cultural critic named Dick. Yes, those are their real names, and there really was a Dick – British art critic Dick Hebdige was so angry about the book that he outed himself as the model for the character when he spoke out to denounce it. For Kraus, the lines between fiction and non-fiction are blurred at best.
The author of three other novels and two books of nonfiction, Kraus continues to collaborate with her now ex-husband Lotringer on Semiotext(e), the publishing company they co-edit with Hedi El Kholti. Though she was born and lives in the US, she spent her teenage years and early adulthood in Wellington, having Marmite smeared in her hair by the kids at Wellington High in the 1970s, and working full-time as a feature writer for the Sunday Times by the age of 17. At 21 she returned to the US to pursue an art career and spent decades making performance art and experimental films on the fringes of the US and LA art scenes. The recent revival of I Love Dick – a television adaption created by Jill Soloway (Transparent) premieres in the US on May 12 – means Kraus is finally enjoying the wide acclaim she deserves. Her 2006 novel Torpor is about to be re-released and she has a new book coming out in August.
In July 2016 I interviewed author Emily Perkins about her experience adapting Eleanor Catton’s first novel The Rehearsal for the big screen. Here’s a taste:
How well do you remember your formative years? If you close your eyes, can you transport yourself back to the time when you lived away from home for the first time, had your brain rewired by a charismatic teacher, practiced clumsy beginner sex and figured out who you wanted to be in the world?
Emily Perkins can. “You know how people think they might have a particular resting age? I think mine is probably about 24. I mean of course you change and life changes you, and thank God for that, but there’s something about that time of life that does fascinate me.”
The profile was the cover story in the Sunday Star Times magazine, Sunday, on 24 July 2016. You can read it here.
My aim has always been to write about ordinary people and their ordinary lives.
Since becoming the first Māori woman to publish a book of short stories in English in 1975, Patricia Grace has always made a commitment to tell the stories of ordinary people and their ordinary lives. That just happens to be a political act when those people haven’t had a voice in literature before, and a revolutionary act when their ways of telling stories push the boundaries of conventional literary form.
Grace’s 2015 novel, Chappy – her first in 10 years – tells the story of a Japanese stowaway who finds himself integrated into a small Māori community before running away from his family to avoid capture as an “enemy alien” in WWII. It’s warmer and gentler than her earlier work, but no less political in its expectation that readers see Māori communities for what they are: strong, loving, resilient.
It’s shortlisted in the fiction category in next week’s Ockham Book Awards. Ahead of the ceremony in Auckland, I interviewed Grace from her home in Hongoeka Bay, Wellington. You can read it on The Spinoff.