This interview was first published on The Spinoff on 9 May 2017.
Chris Kraus’s first novel I Love Dick received a lukewarm reception when it was released in 1997, but has attracted a cult following and been hailed as a feminist classic since its re-release in 2006. As much an art project as a novel (in which every reader participates – try reading it on the train) it consists of love letters written by a character named Chris Kraus and her husband Sylvere Lotringer to a cultural critic named Dick. Yes, those are their real names, and there really was a Dick – British art critic Dick Hebdige was so angry about the book that he outed himself as the model for the character when he spoke out to denounce it. For Kraus, the lines between fiction and non-fiction are blurred at best.
The author of three other novels and two books of nonfiction, Kraus continues to collaborate with her now ex-husband Lotringer on Semiotext(e), the publishing company they co-edit with Hedi El Kholti. Though she was born and lives in the US, she spent her teenage years and early adulthood in Wellington, having Marmite smeared in her hair by the kids at Wellington High in the 1970s, and working full-time as a feature writer for the Sunday Times by the age of 17. At 21 she returned to the US to pursue an art career and spent decades making performance art and experimental films on the fringes of the US and LA art scenes. The recent revival of I Love Dick – a television adaption created by Jill Soloway (Transparent) premieres in the US on May 12 – means Kraus is finally enjoying the wide acclaim she deserves. Her 2006 novel Torpor is about to be re-released and she has a new book coming out in August.