Interview: Chris Kraus

This interview was first published on The Spinoff on 9 May 2017.

Chris Kraus’s first novel I Love Dick received a lukewarm reception when it was released in 1997, but has attracted a cult following and been hailed as a feminist classic since its re-release in 2006. As much an art project as a novel (in which every reader participates – try reading it on the train) it consists of love letters written by a character named Chris Kraus and her husband Sylvere Lotringer to a cultural critic named Dick. Yes, those are their real names, and there really was a Dick – British art critic Dick Hebdige was so angry about the book that he outed himself as the model for the character when he spoke out to denounce it. For Kraus, the lines between fiction and non-fiction are blurred at best.

The author of three other novels and two books of nonfiction, Kraus continues to collaborate with her now ex-husband Lotringer on Semiotext(e), the publishing company they co-edit with Hedi El Kholti. Though she was born and lives in the US, she spent her teenage years and early adulthood in Wellington, having Marmite smeared in her hair by the kids at Wellington High in the 1970s, and working full-time as a feature writer for the Sunday Times by the age of 17. At 21 she returned to the US to pursue an art career and spent decades making performance art and experimental films on the fringes of the US and LA art scenes. The recent revival of I Love Dick – a television adaption created by Jill Soloway (Transparent) premieres in the US on May 12 – means Kraus is finally enjoying the wide acclaim she deserves. Her 2006 novel Torpor is about to be re-released and she has a new book coming out in August.

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Review: Difficult Women by Roxane Gay

This review first appeared on The Spinoff on 27 April 2017.

Roxane Gay is good at opening sentences. Examples from her first short story collection, Difficult Women: “The stone thrower lives in a glass house with his glass family.” “When I was a young girl, my husband’s father flew an air machine into the sun.” And my favourite: “We are having a heated debate about whether or not yogurt can expire when my husband suggests we stay together but see other people.”

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My book coming in June: The Whole Intimate Mess

For almost a year now I’ve been working on a short memoir about my experience in Parliament, becoming a mother, and then stepping down when it became too hard to combine my care responsibilities with my career. After leaving Parliament, I set myself a challenge to only read books by women for a year (which turned into two), and this was the starting point for this book.

It now has a title, a release date (12 June 2017) and can even be pre-ordered!

I’m really excited to share it, thanks to the lovely team at Bridget Williams Books who encouraged me to write it and are releasing it as part of their Texts series of short books by New Zealand writers. You can find out more here.

The Mervyn Thompson Affair: What a 32 year old controversy can tell us about the Chiefs scandal

First published on The Spinoff on 15 September 2016, part of its week-long coverage of the Mervyn Thompson Affair – the strange, powerful 1984 incident when six women abducted an Auckland university lecturer, chained him to a tree in Western Springs, and labelled him a rapist.

I think the six women who abducted Mervyn Thompson had a grand plan. As well as enacting vigilante justice on him for his alleged crime, I think they hoped to shock the country out of complacency about rape and sexism, and force a culture change. In light of a police and court system that responded inadequately to victims of sexual violence, and deeply ingrained sexism in New Zealand society, perhaps they convinced themselves that violence was the only rational response.

Thompson became a symbol, chosen because of his high-profile and respected status as a playwright and lecturer, to stand in for all men – or at least all rapists. It was a brutal invitation to see things from a victim’s perspective: men, imagine if this happened to you. It’s how many women feel, all the time.

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