On 26 March 2018 I was on RNZ’s Nine to Noon programme reviewing Brave by Rose McGowan. You can listen here.
My New Year’s Resolution for 2018 was to pose nude for a life drawing class and write about it. The resulting feature was published online and in Your Weekend magazine on 24 March 2018. Excerpt below and you can read it here.
It was a painting by Jacqueline Fahey that finally inspired me to take all my clothes off in a room full of strangers.
Her work Final Domestic Exposé: I Paint Myself depicts the artist nude (body looking much like mine does these days), surrounded by the detritus of her life as an artist and mother – dirty clothes, children, food, gin bottles, medications, paint brushes. I loved it on sight, and I took it as a challenge. If I really thought of my body as beautiful, then why not offer it to artists?
Let them make art from the body of another mother in the middle of the chaos.
In July 2017 my writing group started a collective blog on the creative process called Fixin’ to Write. Each week one of us posts about our experiences of finding creativity in everyday life. Here’s my third post for the blog, about my New Year’s resolution to pose nude. It was first published on 28 December 2017.
I’m not one for New Year’s resolutions, but in 2018 I would really like to take my clothes off in front of a room full of strangers.
On 2 August 2017 I wrote this opinion piece for Stuff in response to Jacinda Ardern’s election as Labour Party leader and the questions she subsequently faced about whether she planned to have children.
When I was a Green MP and pregnant with my first child, former National MP Katherine Rich stood in my office and told me that she would do anything she could to help make the experience I was about to have easier.
She would even, she said, come and hold the baby for me while I worked.
I was taken aback by this generous offer, because I didn’t know her very well.
It seemed like the kind of thing you might offer to your family or close friends, not an acquaintance from a very different political background.
I see now that it was her way of telling me just how hard having a baby while an MP, was going to be. It was very, very hard.
On 22 June 2017 my publishers at Bridget Williams Books put on a delightful launch event for my book The Whole Intimate Mess at Vic Books Pipitea. The incomparable Emily Writes was the guest speaker. Emily spoke beautifully – you can see what she said here. And below is a rough approximation of what I said. It was wonderful to be so supported by family, friends, colleagues and readers. Thank you to everyone who came, and all those who bought a copy.
My book The Whole Intimate Mess: Motherhood, Politics, and Women’s Writing was published by Bridget Williams Books in June 2017. You can find out more and order it here.
I’ve been fortunate to have had wide and generous press coverage of the book, and I’ve collected some of that here. I’m pleased that it has prompted some interesting conversations about women, work, parenthood and mental health.
‘Unacceptable Choices‘, Review by Alison McCulloch, Scoop Review of Books, 14 July 2017.
‘I am ok, and thanks for asking!‘, Interview with Susan Strongman, The Wireless, 6 July 2017.
‘Torn in two: Former Green MP Holly Walker discusses trading Parliament for motherhood‘, Michelle Duff, Sunday magazine, 2 July 2017.
‘A Private Face‘, Sunday TVNZ, 25 June 2017.
‘Holly Walker: The Whole Intimate Mess‘, Simon Sweetman, Off the Tracks, 21 June 2017.
‘Holly Walker – The Whole Intimate Mess‘, Interview with Kim Hill on RNZ, 17 June 2017.
‘Holly Walker – The Whole Intimate Mess‘, Interview with Ryan Bradley on Radio Live, 17 June 2017.
‘You can’t always get everything you want: Deborah Coddington reviews Holly Walker‘, Deborah Coddingham, The Spinoff, 15 June 2017.
‘A brief history of feminist literature in New Zealand: Tessa Duder on her classic novel Alex‘, Tessa Duder, The Spinoff, 14 June 2017.
‘Holly Walker and the books her kid is reading‘, The Sapling, 14 June 2017.
‘‘I really admire that you have been open about mental health as a candidate’: Chlöe Swarbrick in conversation with Holly Walker‘, Chlöe Swarbrick and Holly Walker, The Spinoff, 13 June 2017.
‘‘There is nothing normal about crawling up the hallway, screaming and hitting yourself in the head’: former Green MP Holly Walker shares her story‘, Holly Walker, The Spinoff, 12 June 2017.
This interview was first published on The Spinoff on 9 May 2017.
Chris Kraus’s first novel I Love Dick received a lukewarm reception when it was released in 1997, but has attracted a cult following and been hailed as a feminist classic since its re-release in 2006. As much an art project as a novel (in which every reader participates – try reading it on the train) it consists of love letters written by a character named Chris Kraus and her husband Sylvere Lotringer to a cultural critic named Dick. Yes, those are their real names, and there really was a Dick – British art critic Dick Hebdige was so angry about the book that he outed himself as the model for the character when he spoke out to denounce it. For Kraus, the lines between fiction and non-fiction are blurred at best.
The author of three other novels and two books of nonfiction, Kraus continues to collaborate with her now ex-husband Lotringer on Semiotext(e), the publishing company they co-edit with Hedi El Kholti. Though she was born and lives in the US, she spent her teenage years and early adulthood in Wellington, having Marmite smeared in her hair by the kids at Wellington High in the 1970s, and working full-time as a feature writer for the Sunday Times by the age of 17. At 21 she returned to the US to pursue an art career and spent decades making performance art and experimental films on the fringes of the US and LA art scenes. The recent revival of I Love Dick – a television adaption created by Jill Soloway (Transparent) premieres in the US on May 12 – means Kraus is finally enjoying the wide acclaim she deserves. Her 2006 novel Torpor is about to be re-released and she has a new book coming out in August.
This review first appeared on The Spinoff on 27 April 2017.
Roxane Gay is good at opening sentences. Examples from her first short story collection, Difficult Women: “The stone thrower lives in a glass house with his glass family.” “When I was a young girl, my husband’s father flew an air machine into the sun.” And my favourite: “We are having a heated debate about whether or not yogurt can expire when my husband suggests we stay together but see other people.”
In June 2017 I published a short memoir about my experience in Parliament, becoming a mother, and then stepping down when it became too hard to combine my care responsibilities with my career. After leaving Parliament, I set myself a challenge to only read books by women for a year (which turned into two), and this was the starting point for this book.
I’m really excited to share it, thanks to the lovely team at Bridget Williams Books who encouraged me to write it and released it as part of their Texts series of short books by New Zealand writers. You can find out more and order it here.
First published on The Spinoff on 15 September 2016, part of its week-long coverage of the Mervyn Thompson Affair – the strange, powerful 1984 incident when six women abducted an Auckland university lecturer, chained him to a tree in Western Springs, and labelled him a rapist.
I think the six women who abducted Mervyn Thompson had a grand plan. As well as enacting vigilante justice on him for his alleged crime, I think they hoped to shock the country out of complacency about rape and sexism, and force a culture change. In light of a police and court system that responded inadequately to victims of sexual violence, and deeply ingrained sexism in New Zealand society, perhaps they convinced themselves that violence was the only rational response.
Thompson became a symbol, chosen because of his high-profile and respected status as a playwright and lecturer, to stand in for all men – or at least all rapists. It was a brutal invitation to see things from a victim’s perspective: men, imagine if this happened to you. It’s how many women feel, all the time.