Interview: Chris Kraus

This interview was first published on The Spinoff on 9 May 2017.

Chris Kraus’s first novel I Love Dick received a lukewarm reception when it was released in 1997, but has attracted a cult following and been hailed as a feminist classic since its re-release in 2006. As much an art project as a novel (in which every reader participates – try reading it on the train) it consists of love letters written by a character named Chris Kraus and her husband Sylvere Lotringer to a cultural critic named Dick. Yes, those are their real names, and there really was a Dick – British art critic Dick Hebdige was so angry about the book that he outed himself as the model for the character when he spoke out to denounce it. For Kraus, the lines between fiction and non-fiction are blurred at best.

The author of three other novels and two books of nonfiction, Kraus continues to collaborate with her now ex-husband Lotringer on Semiotext(e), the publishing company they co-edit with Hedi El Kholti. Though she was born and lives in the US, she spent her teenage years and early adulthood in Wellington, having Marmite smeared in her hair by the kids at Wellington High in the 1970s, and working full-time as a feature writer for the Sunday Times by the age of 17. At 21 she returned to the US to pursue an art career and spent decades making performance art and experimental films on the fringes of the US and LA art scenes. The recent revival of I Love Dick – a television adaption created by Jill Soloway (Transparent) premieres in the US on May 12 – means Kraus is finally enjoying the wide acclaim she deserves. Her 2006 novel Torpor is about to be re-released and she has a new book coming out in August.

Continue reading “Interview: Chris Kraus”

Review: Difficult Women by Roxane Gay

This review first appeared on The Spinoff on 27 April 2017.

Roxane Gay is good at opening sentences. Examples from her first short story collection, Difficult Women: “The stone thrower lives in a glass house with his glass family.” “When I was a young girl, my husband’s father flew an air machine into the sun.” And my favourite: “We are having a heated debate about whether or not yogurt can expire when my husband suggests we stay together but see other people.”

Continue reading “Review: Difficult Women by Roxane Gay”

Featured

My book coming in June: The Whole Intimate Mess

For almost a year now I’ve been working on a short memoir about my experience in Parliament, becoming a mother, and then stepping down when it became too hard to combine my care responsibilities with my career. After leaving Parliament, I set myself a challenge to only read books by women for a year (which turned into two), and this was the starting point for this book.

It now has a title, a release date (12 June 2017) and can even be pre-ordered!

I’m really excited to share it, thanks to the lovely team at Bridget Williams Books who encouraged me to write it and are releasing it as part of their Texts series of short books by New Zealand writers. You can find out more here.

Review: Commonwealth by Ann Patchett

This review was first published on The Spinoff on 5 December 2016.

It creeps up on you, this novel. It opens in 1964, at a christening party in suburban Los Angeles. Bert Cousins shows up uninvited with a big bottle of gin. The backyard is full of citrus trees groaning with oranges – the mixer. Everyone gets rather loose, and Bert unwisely kisses the hostess, Beverly Keating. Continue reading “Review: Commonwealth by Ann Patchett”

Review: The Natural Way of Things by Charlotte Wood

This review first appeared on The Spinoff on 4 August 2016.

There’s something inevitable, natural even, about the way victims of sexual abuse can end up being blamed for what’s happened to them. Sometimes it’s so overt and egregious that we’ll all be outraged – like the Canadian judge who in 2014 asked an alleged rape victim why she couldn’t just keep her knees shut – but the rest of the time, it can feel normal, embedded in the very language, “the way people said a girl was attacked, a woman was raped, this femaleness always at the centre, as if womanhood itself were the cause of these things. As if the girls somehow, through the natural way of things, did it to themselves.” This idea, and Australian writer Charlotte Wood’s rage about it, is the fuel for her fifth novel, The Natural Way of Things, which won Australia’s big new prize for women writers, the Stella Prize, earlier this year.

Continue reading “Review: The Natural Way of Things by Charlotte Wood”