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Three recent book chapters

I’ve been fortunate to have my writing included in three recent books that I want to share. These books all came out in 2018, concern matters very close to my heart (parenting, feminism, mental health) and feature some incredible writers. I’m honoured to be included in each of them, and I hope you’ll check them out. They’d all make great Christmas presents!

Is it Bedtime Yet?

Is it Bedtime Yet?

Is it Bedtime Yet? Parenting… the hilarious, the hair-raising, the heart-breaking is an anthology of deeply relatable parenting essays from a range of diverse perspectives, edited by the fabulous Emily Writes (with whom I used to host a podcast). Many of the pieces were first published on The Spinoff’s parenting page, which is where my contribution first appeared. These pieces are so real, reassuring, funny and moving. They’re just what every parent needs when they’re in the thick of it.

Women Now

Women Now: The Legacy of Female Suffrage

Women Now: The Legacy of Female Suffrage is a Te Papa Press publication to mark 125 years of women’s suffrage in New Zealand. 12 writers were asked by editor Bronwyn Labrum to respond to an item in the national museum’s collection that related somehow to women or feminism. Mine was a badge saying “Women can do Anything.” I wrote about the birth of my second daughter Ngaire and how my own conviction that I could do anything (everything?) was challenged by motherhood.

The other brilliant writers included are Sue Bradford, Barbara Brookes, Sandra Coney, Golriz Ghahraman, Morgan Godfery, Dame Fiona Kidman, Charlotte MacDonald, Tina Makereti, Ben Schrader, Grace Taylor, and Megan Whelan.

Headlands

Headlands: New Stories of Anxiety

Headlands: New Stories of Anxiety is published by VUP and edited by Naomi Arnold. It features essays by people from all walks of life: poets, novelists, and journalists, musicians, social workers, and health professionals, and aims to tell the real, messy story  ­– what anxiety feels like, what causes it, what helps and what doesn’t. I wrote about my grandmother, Lucy’s experience becoming a mother in the 1950s, and set it alongside my own, describing how my anxiety manifests. An extract from my essay was also published by Fairfax online and in several newspapers.

The other writers in the collection are Danyl McLaughlan, Rebecca Priestley, Sarah Lin Wilson, Zion Tauamiti, Paul Stanley Ward, Aimie Cronin, Michelle Langstone, Kirsten McDougall, Anthony Byrt, Eamonn Marra, Riki Gooch, Donna McLeod, Hinemoana Baker, Bonnie Etherington, Kate Kennedy, Madeline Reid, Kerry Sunderland, Rosemary Mannering, Susan Strongman, Paula Harris, Lee Murray, Selina Tusitala Marsh, Jess McAllen, Allan Drew, Yvette Walker, D.A. Glynn, Meredith Blampied and Julia Rucklidge, Ashleigh Young, Mikey Dam and Tusiata Avia.

 

Featured

The Whole Intimate Mess

In June 2017 I published a short memoir about my experience in Parliament, becoming a mother, and then stepping down when it became too hard to combine my care responsibilities with my career. After leaving Parliament, I set myself a challenge to only read books by women for a year (which turned into two), and this was the starting point for this book.

I’m really excited to share it, thanks to the lovely team at Bridget Williams Books who encouraged me to write it and released it as part of their Texts series of short books by New Zealand writers. You can find out more and order it here.

Review: The Baby by Marie Darrieusscq

This review first appeared on The Spinoff on 9 April 2019

Before the current bumper crop of radically honest books about motherhood, there was Marie Darrieussecq. Eighteen years ago in Paris, she sat at her desk, notebook open, her baby resting face down on her lap. She let him suckle on the fingers of her left hand; in this position she could hold a pen in her right hand.

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Imagined Art History: an interview with Thomasin Sleigh

This review and interview first appeared on The Pantograph Punch on 21 February 2019.

It’s an arresting title. Women in the Field, One and Two: it seems to hint at some sort of report on experience, a dispatch from the frontier. News from the field, for those of us stuck at home. Which field, though, and what are ‘One and Two’?

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Review: My Year of Rest and Relaxation by Ottessa Moshfegh

This review was first published on The Spinoff on 17 December 2018.

New York. Late 2000. Our narrator is 27. She is thin, pretty, tall, blond. White. She works at a Chelsea art gallery, her first job after graduating from Columbia (art history major), though working is optional – she could live entirely off the inheritance from her dead parents, if she chose. That inheritance pays for her Upper East Side apartment and whatever she wants, which is sometimes designer clothes, but mostly second-hand video tapes of Whoopi Goldberg movies. She tries hard not to call her douchebag ex-boyfriend, Trevor, but often fails.

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Fixin’ to Write: Stolen Moments

In July 2017 my writing group started a collective blog on the creative process called Fixin’ to Write. Each week one of us posts about our experiences of finding creativity in everyday life. Here’s my sixth post for the blog, a slice of my beautiful, terrifying, sleep-deprived life with a baby and a big girl.

I am deep into the trenches right now. The baby is eight months old, the big girl four-and-a-half. It’s winter. I don’t leave the house much. I don’t get much sleep. There is no time for reflection, considered thought, planning my writing life. But I am writing. 250 words a day. Whatever comes out. It doesn’t mean anything, doesn’t add up to anything. Not yet anyway. But here’s some from last week.

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Fixin’ to Write: So What Am I?

In July 2017 my writing group started a collective blog on the creative process called Fixin’ to Write. Each week one of us posts about our experiences of finding creativity in everyday life. Here’s my fifth post for the blog, a little meditation on who the “I” is in my writing, something I’ve been trying to figure out lately. It was first published on 19 April 2018.

Illustration of a mountain peak with the words "so what am I?" above it

I know you are, you said you are, so what am I?

We used to chant this to each other at primary school, whenever someone called us a rude name.

You’re stupid!

I know you are, you said you are, so what am I?

A stupid dick!

I know you are, you said you are, so what am I?

Shut up, you’re a mean, stupid dick!

I know you are, you said you are, so what am I?

Continue reading “Fixin’ to Write: So What Am I?”